Crystal Sculpture Collection
by Ferdi B Dick
Crystal allows me to work on a smaller scale without losing intensity. I am drawn to the way it carries light, precision, and stillness all at once. A crystal sculpture can feel intimate, but it can also hold real presence. That tension is part of what draws me to the material.
These works are part of the same sculptural language as my larger pieces. Each one begins as a digital sculpture, developed using the same tools I use for large-scale public works, then drawn into a more concentrated form where scale shifts but presence does not. Lions held at the edge of a roar. Whales rising. Dogs suspended in motion.
Crystal speaks differently from steel. It holds light, colour, depth, and weight in a way that keeps the work visually alive, changing with the room and the angle of view. In this material, movement, emotion, and form become quieter, closer, and more concentrated without losing sculptural force.
Each work is cast in lead-free crystal, in small editions, using the lost-wax method. Surfaces are cut, ground, and finished by hand through a slow process of refinement, sandblasting, and polishing, so the final piece reads clearly and cleanly from every angle.
This is why I love crystal: it never holds light still.
Featured collection: The Crystal Animal Icons series includes 22 works across the animal kingdom, from lions and elephants to coral reef creatures.
Crystal Sculptures

Light refracts better through crystal.
I work in crystal because it carries light. I cast in small editions so I can control every surface.
My aim is simple: a form that reads cleanly from all angles and a surface that feels calm in the hand.
Every piece leaves with my mark, an edition number, and a record of its casting process.
















