Skip to content

Cart

Your cart is empty

Crystal Sculpture Collection

by Ferdi B Dick

Crystal allows me to work on a smaller scale without losing intensity. I am drawn to the way it carries light, precision, and stillness all at once. A crystal sculpture can feel intimate, but it can also hold real presence. That tension is part of what draws me to the material.

These works are part of the same sculptural language as my larger pieces. Each one begins as a digital sculpture, developed using the same tools I use for large-scale public works, then drawn into a more concentrated form where scale shifts but presence does not. Lions held at the edge of a roar. Whales rising. Dogs suspended in motion.

Crystal speaks differently from steel. It holds light, colour, depth, and weight in a way that keeps the work visually alive, changing with the room and the angle of view. In this material, movement, emotion, and form become quieter, closer, and more concentrated without losing sculptural force.

Each work is cast in lead-free crystal, in small editions, using the lost-wax method. Surfaces are cut, ground, and finished by hand through a slow process of refinement, sandblasting, and polishing, so the final piece reads clearly and cleanly from every angle.

Cloud-Mane Horse

This is why I love crystal: it never holds light still.

Crystal sculpture by Ferdi B Dick

Small, numbered editions. Hand cold-worked. Click any piece for size, colour, and edition details.

Limited Editions

Lion Roar, an lion colour amber, Limited edition, designed by Ferdi B Dick,

I add metal oxides to the batch so the colour forms inside the glass, not on the surface. Thickness and the firing schedule change the final tone.

Colour in the glass

Ellie Roar, 18 cm height an elephant colour amber, violet and black, Limited edition, designed by Ferdi B Dick,

Ground, sanded, polished, and blasted by hand for a calm, light-holding surface.

Cold-worked by hand

Light refracts better through crystal.

I work in crystal because it carries light. I cast in small editions so I can control every surface.

My aim is simple: a form that reads cleanly from all angles and a surface that feels calm in the hand.

Every piece leaves with my mark, an edition number, and a record of its casting process.

I start with a 3D prototype, cast a wax, build a ceramic mold, then cast crystal on a controlled schedule. After anneal, I de-mold, cut, grind, sandblast, and polish. The work is slow, technical, and done by hand.

Lost-wax crystal casting

Heading

Commission a crystal sculpture


I take on select commissions for private clients, interiors, galleries, and brands.

We define size, colour blend, and finish. I prototype, test colour, then cast in lead-free crystal.

Each piece is cold-worked by hand, signed, and documented.

Typical lead time is 6–12 weeks depending on scale and complexity.

I accept crystal commissions through two pathways:

Existing Design Adaptation

Choose any piece from my collection and adapt it. Different colour, custom finish, branded packaging for corporate gifting, or a different scale. No design fee, just production pricing based on your specifications. This is the route for hospitality projects, corporate gift programs, and retailer orders.

Bespoke Custom Design

Want something entirely new? A fresh crystal concept designed around your story, your brand, or your brief. This starts with a design fee, followed by production. I provide 3D renders and roughly three rounds of revision so we get it exactly right. This is the route for one-of-a-kind gifts, brand partnerships, and collector commissions.

Both pathways include production coordination, quality oversight, and international shipping.

Pricing varies by project. Small crystal commissions start in the hundreds. Larger or branded projects scale from there. Every quote is tailored.


Whether you are drawn to a piece in the collection or want to commission something from scratch, I would like to hear from you.

Start a commission